Paul Noble, detail of drawing.
Bruegel (the Elder), Tower of Babel, 1563.
With pencil drawing as his main source of media (complemented by sculptures in the Turner Prize exhibition) Noble acknowledges that his inspiration was about going back to basics and reinvestigating the doodles and naivity of his drawing habits while at secondary school. But there is also inspiration that has come from working with computers as recalled in a previous article:
"Nobson Newtown itself emerged a few years later, when Noble was playing with an ancient computer program for creating graphic fonts. His alphabet of letters in this new font was presented as a “keymap” on the screen, providing the eureka moment of the Nobson project — he saw the letters as buildings in a landscape. “The fact that it was called a map and that I was making these letter shapes that were blocky and architectural meant that I leapt into this pictorial, geographical space,” he says. “So I made an actual map, and everything that is on that little map is what I am now working through.”" (as read online at http://www.standard.co.uk/arts/visual-arts/turner-prize-2012-its-back-to-the-drawing-board-for-paul-noble-8193847.html)
Who knows what will happen when the results come out in December but after many years of hard work and intensive drawing Noble is now part of a historical group of Turner Prize who has a strong career ahead of him.